Romeo*Juliet

So I keep my promise ! Rather late .. but hey ...

Who would have guessed that my first music for the film would be for a film about football ? I was baffled when the Indonesian film director Andibachtiar Yusuf approached me earlier this year to ask me to score the music for his "Romeo*Juliet". Yes, you got it right. But instead of Montague and Capulet, it is the Jakarta against the Bandung football fanclubs. The confrontation between them goes back to many decades, and when it happens, they are notorious for being violent. People got killed during their fights. So, you can guess how the story goes ...

... which reminds me, inevitably, of WestSide Story. It IS difficult not to have that masterpiece as a reference ! But Yusuf's film is not a musical film, so my job is a bit easier. Oh, I forgot to tell you that he wanted me and only me for this job, because of his huge crush on my duet from the cantata Ars Amatoria "Dalam Doaku" (In my Prayer). Definitely that song became an important part of the film ; in fact, the film revolved around that song. Yusuf was (is, and always will be) a great fan of rock music, and he has never fancied any kind of classical (read : soft, boring) music. But I am dubiously flattered when he discovered through my music that classical music is not that bad! Something is definitely very wrong with my music, or ... ?
For the film, I used other songs ("Kasih" and "Ketika Kau Entah Dimana", which happens to be my favorite amongst my songs) of mine, recently released in the CD "Ananda Sukarlan Vocal Works" for that film as well, besides writing quite a lot of new materials purely instrumental. So you can hear the voices of Bernadeta Astari and Joseph Kristanto in that film once in a while blasting from the cinema loudspeakers. The motifs I use for the whole soundtrack are taken from the hymn of both football clubs, and I just make some variations out of them, according to the situation which it accompanies.

This version of Romeo*Juliet is very Indonesian. I mean, the unromantic oriental type of love. Passionate, but unromantic. There is even no balcony scene in the whole film! I was quite confused when I read the script, but when I received the rough cut of the film, I honestly was pretty impressed. And I was quite inspired after I watched the rough cut. I decided that I don't have to escape from my musical style ; the film is very, very Indonesian in many ways, so that my "western" musical style would just compliment it without "stealing the show" as they say. As Aaron Copland said about writing music for films : "The best film music is the one you don't notice". In other words, you can hear it, but you don't listen to it.

The film is due to be shown in cinemas 21 throughout Indonesia starting late March 2009.

Newsflash

Sorry that this entry is a quickie one. Anyway, this is just to tell you that :

1. I am in Jakarta at the moment, although I will leave to Surabaya on the 28th, to be back in Jakarta beginning of December.

2. I have been very busy composing & recording for the film soundtrack "Romeo*Juliet" directed by Andibachtiar Yusuf. I will write about this further next week (unfortunately I have a habit of a presidential candidate : I don't keep up with my promises !)

3. Facebook : now, this is a problem. Since I have reached the limit of 5000 "friends", I cannot accept anymore friends, so I am VERY sorry. As you see, this is not my decision, but our big brother's, the facebook guys. But we have created the "Ananda Sukarlan's friends" group at facebook : you can search for it, and be a member. And yes, you STILL can send me messages through facebook ! But please do not suggest more friends for me ; you can, instead, invite all your friends to join the "Ananda Sukarlan's friends" group, once you become a member. Just click this : http://www.facebook.com/group.php?gid=41769011619 .

4. And I would like to confirm : YES, although it is still not finished, I am writing a new choral piece for the 50th anniversary celebration of the Institut Teknologi Bandung, one of the oldest and highly prestigious universities in Indonesia, celebrated in March next year. It is based on a new sonnet by Sapardi Djoko Damono, also commissioned by that mentioned choir.

I, too, have a dream

Next week, a new CD of my works for voice(s) is gonna be released. I am so happy and honoured to have the soprano Bernadeta Astari "Deta" and the baritone Joseph Kristanto "Akis" record my vocal works. Apart from the fact that they are the two singers who have specialized in almost all my music involving the human voice and have worked with me intensely in performing them, they are magnificent musicians with impeccable techical abilities, sensitive artistry and profound musical understanding.

My interest in the human voice dated back in the 1980s when I heard Benjamin Britten's Serenade for tenor, horn and strings during my student years. That was the first vocal work that has made me weep, literally weep, during its performance. Since then, I started my collection of all Peter Pears' recording of Britten's whole ouvres, so my first vocal works were just bad copies of Britten and justly enough they all ended up in my dustbin. In the 1990s, it was the poetry of Walt Whitman, William Blake and Longfellow that have helped me find my own path. Still, I was feeling uneasy for not being able to feel at home in setting words of my own language. Ilham Malayu's poems during his stay in Bangkok prison were the first poems in Indonesian that I set to music, but it wasn't until very recently that I had a huge crush with the poetry of Sapardi Djoko Damono. And then came along other great Indonesian poets : Goenawan Mohamad, Eka Budianta, Hasan Aspahani, Nirwan Dewanto, Ook Nugroho and so on. Ah, and that fascinating miniaturist lady, Medy Loekito. And with my inspirational singer friends around, my Indonesian songs just came along and took shape naturally. I feel that my best music ("best" is according to my, and only mine, not other people's standard) are written inspired by people or their artistry.

I have a dream (this is not because of Obama reminding the famous phrase of MLK), that one day Indonesia will have virtuosi of all instruments, so that they would and could inspire me to write concertos for each of them : a violin concerto, clarinet concerto, up to ... bassoon concerto, harp concerto, tuba concerto and --why not?-- a percussion concerto. And yeah, my next Concerto for piano and orchestra should not be written for myself. There are many, many highly talented young Indonesian pianists around. They will prevail. And very soon.

O BAMA, O Captain, My Captain

Many things have happened these last 2 weeks everywhere in the world, while I am just sitting around at home writing the music for the film "Romeo*Juliet" by Indonesian director Andibachtiar Yusuf.

Barack Obama became the 44th president of the USA. Now THIS is history. I won't comment anymore about it, we are all very happy not only because of that, but because the era of tyranny and stupidity of George Bush is gonna end soon. Please, Mr. Bush, just take a nice vacation during these 2 remaining months ! You don't have to make anymore decisions, nor do anything else. Just relax and enjoy your life ! That way you'll make this world a much better place, I tell you ! Jay Leno, David Letterman and all the American comedians have been very grateful to you for having provided them a wealth of materials for their shows these 8 years.

But around the same time, the Parliament in Indonesia passes the "Anti-Pornography" bill, which has almost nothing to do with anti-pornography. In fact the anti-pornography legislation could be easily misused against Indonesia's minority Christian and Hindu communities and threatens the country's pluralistic culture. And it will crush our economy (which has been mostly destroyed by corruption) that depends a lot from tourism. Not only that, it will eliminate the rich culture of Indonesia, since all the performing arts would be categorized pornographic. I "almost" don't mind if Verdi's Aida, Thomas Mann's Death in Venice or Benjamin Britten's Peter Grimes were banned for being "pornographic" in Indonesia ; they have the rest of the world to keep existing, but to wipe out traditional dances, centuries-old sculptures, masterpieces of Indonesian painters ?

I wish George W. would become president in Indonesia. He wouldn't like to make constitutions such as the Pornography Bill. He would just invade other countries, worsen our economy (won't be much damage, though ; we always have deficits and no surplus), and enlighten our days with phrases like " I know the human being and fish can coexist peacefully" or "Natural gas is hemispheric. I like to call it hemispheric in nature because it is a product that we can find in our neighborhoods."

A small step (forward) for mankind, a big step for the United States, and an enormous leap of setback for my dear country ...

Schumann, paintings, dance and young people

As I always say, I am inspired by people. And apparently, since I get older now, I realize that the element of youth inspires me more and more. Well, one always wants what one doesn't possess, right ?

But people's creations and people's opinions, love and friendship are the things which have been and still are really inspirational to me. I just finished my "noisiest" work, Schumann's Psychosis. It's written for 3 pianos with 2 pianists at each piano, therefore there are in total 12 hands with 60 nimble fingers, and a friend just revealed to me that this is the first original work written for that formation. Without realizing, I just wrote history !

In fact I agreed to write it in the beginning because it was asked for the events where three Steinway replicas from 1853 will tour South East Asia in the beginning of December. But it took me a long time to even just begin writing the first note. I realized, after weeks of remaining blank pages, that I was thinking of the pianos, those dead instruments. Beautiful, historical, but dead !

Then I started to think of how I enjoyed being with those young people during the Ananda Sukarlan Award piano competition, and thinking that 6 of them will be playing the piece. Meanwhile, Chendra, the choreographer who will do the dance for the piece, sent me thru email a painting of Asep Berlian. That painting triggered an association with Schumann's "disease" (if you can call it as such) of split personalities. With all those elements in mind, mmediately the piece sounded in my head !! I could almost sketch it from beginning to end. OK, OK, you'll say that it's like cracking a rock ; looks as if it's broken on one hit, but in fact it broke because of the 100 crushes before. So, it might have been the result of my thinking and doodlings of the past several weeks. Maybe it's true, but it just proved (even only to myself) again and again that I am not like those people such as Debussy or Turner who were inspired by landscape or nature to give birth to their arts.

Schumann's Psychosis will have those elements : joyful rhythms, but screwed up just like Schumann's multiple personalities. You'll hear it, or to be precise see it (since I think, just visually it would be quite stunning to have those 6 pianists, and I am sure Chendra will make a spectacular choreography around those 6 young musicians) at the New Year Concerts in Jogja and Jakarta, 1st and 4th of January next year respectively.

How to introduce Indonesian classical music when we do NOT want it to be introduced

I was interviewed by several magazines in Indonesia due to the Indonesian Independence Day last August and I had to say that the one thing we lack now is patriotism. But I don't wanna talk about politics, nor social issues. I just wanna relate it to the field I am working with, classical music. A few months ago I wrote about Indonesian public's "high" taste for foreign musicians. Now, let's talk about our own musicians. How many Indonesian classical musicians like, love or even just feel the obbligation to perform music by Indonesian composers ? Just check out the concert programs in Jakarta, and it's all filled up with Bach, Beethoven, Chopin, Schubert, up to Copland, Rutter, Britten. Great music, of course, but where are our own composers ? Why aren't they played by their own musicians ? Is it because Indonesian composers are not "prestigious" enough and so we can't be proud of them ? Not cool, not hip ? Not virtuosic ? Not attractive ? Or simply not good (according to whose criteria?) ?

Let's compare it to 100 years ago, where Indonesians wanted to be independent. They would even die for their country. Is it the case now ? I am not the one who should answer it.

Back to classical music, obviously our musicians do not care (or are we ashamed ?) of our own composers. Government ? Ministry of Culture ? Forget them, they are busy with other things. So, what to do to enliven the creation of classical music in our country, if nobody wants to play it ?

An easy(-er) solution, small but by no means meaningless, would be to ask foreign musicians to play it, or at least we should trust our national treasure to them . Let them listen, let them check some scores. This can be done perhaps by approaching the foreign cultural centers in Jakarta. Everytime they invite foreign artists, why not at least send them some scores of Indonesian composers ? Perhaps by letting them play music by Indonesian composers during their visit to Indonesia would touch the conscience of our own musicians ?

RIP, Soetarno Soetikno

Do you believe in destiny ? Premonition ? I'm not the one who could answer it, since I still can't differentiate those words with just pure chance. Or, is that the real point I miss ? As in I-Ching, chance IS destiny, right ?

Look, for some of my concerts in my 40th year I have programmed a piece which I always love, that A major Sonata of Schubert (no, no , not the big one. The "easy" one, as people say. I'd tell those people, try to play it and see what's so easy about it). I studied it for the first time with my former piano teacher, Soetarno Soetikno, back when I was a teenager in Jakarta. I programmed it this year more for nostalgic reasons, as I am reaching 40, than for other reasons.

Just like the concert I did in Santander, the nearest town where I live now, last Saturday. I programmed that piece again, together with other pieces by Beethoven, Liszt and myself. My concert started at 9 p.m CET, which means 2 a.m on Sunday in Jakarta . Soetarno Soetikno died about 4 hours afterwards in Jakarta. He was in his 70s.

Soetarno Soetikno was what you call that real, authentic teacher. He dedicated his whole life to his students. What you call "maestro" in Latin, or "guru" in Sanskrit. We often confuse that word with someone, a celebrity as we say, who performs all over the world, highly praised, having lots of affairs in his travels, having a flashy life with having apparently so many friends (especially in high places) but in reality having very few (or none at all) real friends he can trust. All those "friends" he has are just people waiting for the right time to stab him from his back.
Soetarno Soetikno, the real Maestro, was not that one I just described. He is a real one. And a teacher, as I always say, is the most underestimated, underpaid, underpraised and overworked job on earth. No, I am not talking about those pedantic university professors who earn a lot teaching how to do all those mental masturbations to the would-be intellectuals. I am talking about one who worked in a developing ( are we really ?) country with no social security and other facilities from the government. And he taught his students how to be artists, not intellectuals. And what he had suffered from his envious colleagues (some millionaires included) are just undescribable. I've seen it with my own eyes, back about 25 years ago. That's the price he had to pay for being honest and truthful to his job.

Requiescat in pace, Soetarno Soetikno. Without you, I (and many other musicians in Indonesia) wouldn´t be here now. Indonesian classical music world is deeply grateful to you (although we haven't treated you so well).

I Sit and Look Out, con molto tristezza

During these days post-Ananda Sukarlan Award, I had nice times hangin' around with many of the winners and finalists. Most of them are teenagers, with their dreams to follow, and most of them just had experienced their first love – or first break up. Anyway, I enjoyed immensely being around those young people. You can see love in their faces, in their eyes, in their mirada ; and it brings back memories – and therefore, inspiration !

Back to the present, or not so distant past. Sometime around 2004, lying in bed of a hotel room somewhere in Italy I watched on TV the re-election of George W. Bush, coincidentally with Walt Whitman poems with me in bed. I remember my feeling depressed, affirming to myself that WE choose our destiny, which sometimes means our destruction. D’you know, by the way, that most of the Jews voted for Hitler back in the 30s ?
Well, history repeats itself. And Bush continued his massive destruction : killing millions in Iraq and everywhere else, legalizing tortures, drowning the world economy etc etc. What Whitman wrote in his dark poem “I Sit and Look Out” is not so different than the situation during this first decade of our millennium. That horrible news on TV had triggered most of the notes and chords in my song. But then I had to head back home, and it remained unfinished – and forgotten …

...Until a few weeks ago. My friends, Bernadeta Astari “Deta”, Joseph Kristanto “Akis” and myself (well, no need to mention a nickname for this latter) talked about recording my songs. They are, in fact, new friends of mine. I met Deta just about 3 or 4 years ago, and Akis even more recently, through a common friend the conductor Tommy Prabowo whom I knew since I was a teenager (both Tommy and Akis will be involved in my opera "Mengapa Kau Culik Anak Kami"). Since then, those two have inspired me a lot, both as great musicians and as wonderful, humble, down-to-earth humans they are. I wish all those "superstars" around us would possess their technique, sensitivity and artistry !
At last, 24 from about 70 of my songs will be in that first CD. Now with the hope of Barack Obama for the next president I suddenly remembered my poor Whitman song, and thinking of Deta’s voice that has always, and will always inspire me, I looked for it among the heap of my manuscripts … and finished it. And we’ve recorded it in Jakarta a few days ago. So, it will be the only song in English in that CD. The rest is all my Indonesian songs … well, I’ll tell you later the titles. So, that 4-minute lament is doubly dedicated to Deta, and to myself looking forward to the end of GWB’s pestilence and tyranny. Still four months to go !

Here’s the complete poem of Whitman's "I Sit and Look Out" :

I SIT and look out upon all the sorrows of the world, and upon all oppression and shame;
I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying, neglected, gaunt, desperate;
I see the wife misused by her husband—I see the treacherous seducer of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be hid—I see these sights on the earth;
I see the workings of battle, pestilence, tyranny—I see martyrs and prisoners;
I observe a famine at sea—I observe the sailors casting lots who shall be kill’d, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon laborers, the poor, and upon negroes, and the like;
All these—All the meanness and agony without end, I sitting, look out upon,
See, hear, and am silent.