Neither English, nor a horn

You might think that my favorite instrument is the piano, but that's not completely true. I love it, of course, but it's always a drag for me writing for piano. As a pianist, I ought to write something PIANISTIC, right ? So I have to sit down on the piano and put my poor fingers on it everytime I write for this instrument. While for other instruments, I write my music anywhere else : from my desk at home to the seat of the airplane (with the TV screen off, unfortunately ...).
Well, I tell you who my true love is. It's the English Horn, which is in fact neither English, nor a horn (but it does make me horny listening to its sound, he he...) . The term came from its German name, engellisches Horn, meaning angelic horn. But engellisch also meant English, and so the English claimed themselves to be angels (or was it the other way around?). And then it acquired a French term, cor anglé, (angled or bent), but then mistakenly written as cor anglais (which means English, and now it's better that I don't make jokes about this). And about the horn, well, it's quite obvious that it has nothing to do with it, so I really don't know why it bears the "horn"....

Both my cantata "Ars Amatoria" and "Libertas", have English horns, whose players do NOT double the oboe. And both have an interlude that features the instrument quite boldly. Libertas even has an interlude for E.h and string quartet called Requiescat, which can be played separately. And both, intuitively written, deal with the tonality of D major and B-flat major.

I always perceive some tonalities in my head as associated with particular things, and I am always sure that I am not alone in this. A major, for instance, always give the impression of everything worldly, or earthly. Remember that Mendelssohn's Spring Song of the Lieder Ohne Worte is in A major, and also the last movement of the Franck Violin Sonata ... it's so beautiful and so down to earth ! And that's why Libertas starts with a boisterous A major, "Bentangkan Sayapmu, Indonesia" (Spread your wings, Indonesia), and the a cappella chorus, "Kita Ciptakan Kemerdekaan" (We create Freedom) is also in that happy tonality.

But then it's the tonality of B-flat major which is the real "nirvana" for me. The real truth, purity, perfection, divine. Listen to Schubert, that impromptu ... and the last sonata ! That's why the main core of Libertas, where the singers sing "For the poet, death is victory" is in glorious B-flat major. Glorious but in pianissimo. Festive but profound. Declamatory but so introverted. Only B-flat major can afford that.

And D major ? That brings me pain and sadness. "Requiescat", for english horn & strings (from Libertas) is all in that tonality. And the last song of Libertas, "Krawang Bekasi" starts with a lament of the dead heroes ... but then there is a transition from those cries of desperation to the other world ... which is in B-flat major. And that's where it ends, where they all cry "Remember us" .... from heaven. That is so different from another song "The Young Dead Soldiers do not speak" (poem by Archibald MacLeish), where it also ends with "Remember Us" ... but still from this world : in D major. The same words, "Remember Us" ... and yet with different meaning. You see how powerful music is to express feelings ? Even more powerful than words, eh?

And I can go on and on with talking about how tonalities work in my head ... but hey I don't want to bore you to death with it. The main point is that I almost always perceive my music in a certain tonality, and it always hurts me if one sings / plays my music by transposing it.
Anyway, it's weekend now, and you know what ? Weekend muses always make me write music for young people, because my daughter Alicia is always home (she won't be in a few years : she'll be in her BOYFRIEND's house ... aaaargh !!) and I just realized today that most of the pieces in "Alicia's First Piano Book" were written on weekends! So, my muse is pulling my shirt now and asking me to write something for her ... before I leave next Monday for a whole week. Hey, the Queen is coming to my concert, and I'll convince her to sign up on Facebook, ok ?

Who's afraid of the number 5000? (More facts about facebook)

This is the continuation of my entry about facebook earlier this year.

Last week, seeing that the number of friends in "Ananda Sukarlan's friends" group at facebook is reaching about 4.500, I had the idea of giving a gift to the 5000th friend. The gift would simply be a free ticket to my solo piano concert at Goethe Haus, Jakarta on the 4th of March*. Both Chendra and me have discovered that the number of friends grows approximately 40 to 80 every day in that group, so I guess that in about a week from that date the group will reach 5000.

But now, instead of celebrating the 5000th, it turned out to be a disaster. A second disaster, to be precise. First of all, last year my personal fb could not accept anymore friends due to its maximum number, 5000. Now, the group (whose number is supposed to be unlimited) has said that fb CANNOT send messages to the members since the number has surpassed 5000. In fact, since a few weeks ago every time that Chendra or me sent a message to all members of the group, fb did it with a note "Your message is delayed since you are sending to a large group of people", and we realized that it took 2 to 3 days to reach the destinations.

So we made a quick decision of making another group, "Ananda Sukarlan's friends 2" (I can't believe that I am emulating Harry Potter, Indiana Jones or the dinosaurs at Jurassic Park) . The problem now is to get my friends at "1" to move to "2" . Even as owners and administrators of the group, we cannot decide who enters or who leaves the group. We can just invite people, or report people if they violate anything in the group, but it's all up to the fb big brothers to do it. So, may I ask you, friends, if you are a member of "1" to "move" to "2" ? Please make sure you MOVE, (which means that you get out of group "1") and not just be another member of 2, because then you are giving more problems !

Oh, some friends have suggested that we create a Fan Page for me. Now, that's against my will, since I don't feel I have fans. I am not a celebrity, I am simply a composer. There is nothing celebrational or glamorous in putting those beansprouts on music paper on a table.

* My concert at Goethe Haus will be on Wednesday, 4th of March at 7.30 pm. Its program triply celebrates the 200th year of Joseph Haydn's death, 200th year of Felix Mendelssohn's birth and 60th year of Jaya Suprana (one of Indonesia's prominent composer)'s birth. I will also give the first performance of my Rapsodia Nusantara no.3 .. if you wonder about no.2 , I will write about it in this blog later this (or next) week (or month) ..